Throughout the years of magic a circle inscribed upon the floor of the working area has always been central to the work and lore of the magician. What is this circle for? Is it necessary? How is it constructed? There are many answers to these questions and each of them from different practitioners. I am going to tell you my way and formula for creating the compass round or ring of art.
Showing posts with label praxis. Show all posts
Showing posts with label praxis. Show all posts
Tuesday, August 10, 2010
Thursday, August 05, 2010
Speech as an Art Form
There is a certain art form when the magician is making invocations and calls into the Unseen and to the Powers. I have experimented with different ways of Speaking and have found the way that I do it, but I feel that there is a central working point that many magicians can work from.
As an actor I have learned how to place intention and emotion in my words as I portray them to the audience. As a method actor I take on the aspect of my character; I am not longer Angus but Claudius, King of the Danes and antagonist of the play Hamlet. This was my starting point: if I could call up such emotion in a mundane setting why should I not do the same in a spiritual setting? To do a working the magician must be emotionally invested in everything that is done for the magic or else nothing will happen.
As an actor I have learned how to place intention and emotion in my words as I portray them to the audience. As a method actor I take on the aspect of my character; I am not longer Angus but Claudius, King of the Danes and antagonist of the play Hamlet. This was my starting point: if I could call up such emotion in a mundane setting why should I not do the same in a spiritual setting? To do a working the magician must be emotionally invested in everything that is done for the magic or else nothing will happen.
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